BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Feminist Art Project - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:The Feminist Art Project
X-ORIGINAL-URL:https://thefeministartproject.org
X-WR-CALDESC:Events for The Feminist Art Project
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20250309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20251102T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240217T090000
DTEND;TZID=America/Chicago:20240217T150000
DTSTAMP:20260419T004740
CREATED:20240318T194316Z
LAST-MODIFIED:20241019T132410Z
UID:10000003-1708160400-1708182000@thefeministartproject.org
SUMMARY:TFAP@CAA Day of Panels 2024 | A NEW ERA: ART\, ACTIVISM\, AND ABORTION IN POST ROE AMERICA
DESCRIPTION:A New Era:  Art\, Activism and Abortion in Post Roe America \nTFAP@CAA Day of Panels 2024\nFebruary 17\, 2024\, 9am – 3pm\nHilton Chicago – 3rd Floor – Waldorf Room \nA New Era:  Art\, Activism and Abortion in Post Roe America \nSymposium Chair: Luciana McClure\, Southern Connecticut State University \nIn 2022\, Dobbs v. Jackson overturned the right to abortion in the U.S.\, undermining bodily autonomy and privacy. The Feminist Art Project (TFAP) looks at the way praxis as a feminist pedagogical project has changed and been transformed post Roe V. Wade. Artists have returned to the question of the role of feminist art and practice in times of crisis and violence\, particularly around issues of bodily autonomy. As a result\, we have seen a rise of collective solidarity between cis\, queer and trans women artists and collectives leading to the surge of a new wave of feminism. \nTFAP@CAA Day of Panels looks at feminist collective projects that remind us that the personal is political and that feminism is intersectional. TFAP will look critically at how artists\, scholars and organizers respond to this attack on human rights and the patriarchal rhetoric about abortion and its relationship to bodily autonomy. \nPROGRAM:\n9am – 9:30am\nWelcome – Connie Tell\, Chair\, Feminist Art Project National Committee\nIntroduction – Luciana McClure\, Symposium Chair\, (Southern Connecticut State University)\n9:30am – 10:30am\nKeynote talk – Whitney Bradshaw (Independent Artist)\n11:00am – 12:00pm\nAdvocacy to Action: The Power of Activism\, Abortion and Community Engagement\nPanelists: Lydia Nobles (Independent Artist) and Michele Pred (Independent Artist)\n12:30pm – 1:30pm\nThe Politics of Identity & the Body as Medium in Feminist Practice\nPanelists: Corey Loftus (The Institute of Fine Arts\, NYU)\, Martha Poggioli (Colorado College)\, and Sarah Beth Woods (Independent Artist)\n2:00pm – 3:00pm\nClosing Keynote & Call to Action Christen Clifford (The New School) \nVideos of the 2024 Day of Panels will be available on the TFAP website soon! \nTFAP is a Caucus Member of the National Women’s Caucus for Art.
URL:https://thefeministartproject.org/event/tfapcaa-day-of-panels-2024-a-new-era-art-activism-and-abortion-in-post-roe-america/
LOCATION:Hilton Chicago\, 720 South Michigan Avenue Chicago\, IL 60605\, Chicago\, IL\, 60605\, United States
CATEGORIES:Symposium
ATTACH;FMTTYPE=image/png:https://thefeministartproject.org/wp-content/uploads/2024/10/Updated_TFAP-CAA-2024-announcement-e1729344237419.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240216T143000
DTEND;TZID=America/New_York:20240216T160000
DTSTAMP:20260419T004740
CREATED:20241019T130119Z
LAST-MODIFIED:20241019T132435Z
UID:10000394-1708093800-1708099200@thefeministartproject.org
SUMMARY:TFAP@CAA Affiliated Society Session | CHOICE TACTICS: ART\, ABORTION\, AND BODILY AUTONOMY TODAY
DESCRIPTION:TFAP@CAA Affiliated Society Session\nCAA 112th Annual Conference\nFriday\, February 16\, 2024\, 2:30pm – 4pm\nChicago Hilton | 8th Floor – Lake Erie\nConference Registration required for this event!\nCHOICE TACTICS: Art\, Abortion\, and Bodily Autonomy Today\nChairs: Miriam Kienle (University of Kentucky) and Connie Tell (The Feminist Art Project) \nHow do contemporary feminist artists\, art historians\, critics\, and curators address current legal restrictions to abortion access? How do they draw from or push against historical precedents for art about reproductive choice and bodily autonomy? Although acknowledging the tremendous historical harm done\, much present-day art about abortion draws on old visual tropes of clothes hangers and irrevocably marred bodies that has little resonance to the risks posed by the criminalization of abortion today. This imagery not only ignores how ending pregnancy is far safer than it was 50 years ago due to widely accessible medications for menstrual management after abortion became legal\, but it also inadvertently echoes anti-choice propaganda that emphasizes self-harm as integral to abortion. Therefore\, one must ask: How do feminist artists today visualize bodily autonomy\, self-managed menstruation\, and abortion in ways that refuse inaccurate\, outdated\, and punishing representations in favor of ones that are accurate\, informative\, and supportive (perhaps even playful\, joyous\, frustrated\, outraged\, or irreverent)? How might they forge intergenerational solidarities by re-activating historical modes of resistance that avoid nostalgia? How do they educate both menstruating and non-menstruating publics to transform political discourse on abortion? How can they help empower abortion seekers to have their physical\, emotional\, spiritual\, financial\, and/or legal needs met? This panel seeks presentations that investigate the visual and material tactics of feminist art that tackles abortion\, particularly those that attend to the complex gender\, sexual\, racial\, ethnic\, geographic\, historical\, medical\, legal\, and/or economic implications of abortion today. \nPanelists:\nBeau Green (Artist + Full Spectrum Careworker)\nbreadbox: promoting access to high quality abortion care throughpeer-to-peer education and art \nBasia Sliwinska (Universidade Nova de Lisboa)\nMy body (but not) my choice: feminist arts activism towards bodily autonomy \nErin L. McCutcheon (University of Rhode Island)\nPerforming the Politics of Voluntary Motherhood in Mexico City \nLouisa Lee (Buckinghamshire New University)\n‘What you want to do is make people look’: Visibility\, or lack of visibility\, for reproductive rights
URL:https://thefeministartproject.org/event/tfapcaa-affiliated-society-session-choice-tactics-art-abortion-and-bodily-autonomy-today/
LOCATION:Hilton Chicago\, 720 South Michigan Avenue Chicago\, IL 60605\, Chicago\, IL\, 60605\, United States
CATEGORIES:Conference Session
ATTACH;FMTTYPE=image/png:https://thefeministartproject.org/wp-content/uploads/2024/10/Updated_TFAP-CAA-2024-announcement-e1729344237419.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240201T000000
DTEND;TZID=America/New_York:20241214T235900
DTSTAMP:20260419T004740
CREATED:20240314T192214Z
LAST-MODIFIED:20241019T133125Z
UID:10000002-1706745600-1734220740@thefeministartproject.org
SUMMARY:Kinship: The Art of Connection
DESCRIPTION:Women Eco Artists Dialog (WEAD) online magazine  Issue No.14 – Kinship: The Art of Connection\nEdited by Connie Tell and Donna Brookman \n Inter-Connection/ Sustenance & Healing  Cecilia Vicuña\n Community and Kin Builders  Christine and Margaret Wertheim\n Collective Memory and Displacement  Nazanin Noroozi\n Cross-Cultural Kinship  Rina Banerjee\n Spiritual Connectivity  Chiyomi Taneike Longo\nKinship: Guest Editors  Connie Tell and Donna Brookman \nWEAD Mission Statement:\nFocusing on women’s unique perspectives we collaborate internationally to further the field and understanding of ecological and social justice art. \n\nPurpose: To provide information regarding the ecoart and social justice art fields to artists\, curators\, writers\, art and public art administrators\, educators in art and ecology\, cross-disciplinary professionals and others.To facilitate international networking among artists working with ecological and social justice issues.To further the fields of\, and the understanding of environmental and social justice art.
URL:https://thefeministartproject.org/event/kinship-the-art-of-connection/
LOCATION:San José
CATEGORIES:Publication
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/03/WEAD-MAG-Cover-Collage-final-copy-e1711113193436.jpeg
ORGANIZER;CN="Women Eco Artists Dialog":MAILTO:info@weadartists.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230913T170000
DTEND;TZID=America/New_York:20231222T170000
DTSTAMP:20260419T004740
CREATED:20231127T220557Z
LAST-MODIFIED:20240321T212522Z
UID:10000001-1694624400-1703264400@thefeministartproject.org
SUMMARY:The Brodsky Center at Rutgers University: Three Decades\, 1986–2017
DESCRIPTION:Rutgers Distinguished Professor Emerita Judith K. Brodsky\, a visionary artist and advocate\, arts administrator and entrepreneur\, printmaker\, and scholar\, recognized that women and gender nonconforming artists\, as well as artists of color\, were excluded from the art world in the 1980s. Brodsky’s pioneering vision set out to rectify the situation by establishing in 1986 a print- and papermaking residency center for these artists\, now known as the Brodsky Center. From its inception\, the Center strategically placed itself at the vanguard of art making\, not only with print and papermaking techniques but also with the innovation of new ideas and narratives as a model for institutional and artworld diversity\, equity\, and inclusion. \nThe Brodsky Center\, with state-of-the-art facilities\, was the site of experiments with concepts that emerged in the 21st century as dominant concerns of artists in the contemporary art world: race and ethnic identity\, nonconforming gender issues\, climate and the environment\, the politics of language\, and immigration. The Center encouraged artists to explore how working in what were often for them the new processes of print and paper could expand their previous realms of thought. While at Rutgers University\, the Brodsky Center served as a catalyst for cultural transformation in New Jersey\, in the United States\, and worldwide. It continues to do so at its present location in Philadelphia\, the Pennsylvania Academy of the Fine Arts. \nThe artworks on view in this exhibition are illustrative of new imagery and artistic languages now incorporated into contemporary art making in the 21st century. The exhibition is thematically conceived\, exemplifying the Brodsky Center’s mission to insert new narratives into the American cultural mainstream. Five representative artworks\, as emblems that capture the essence of the Brodsky Center\, have been singled out for placement at the entrance to the exhibition. The works on view are then organized into nine other sections: Cultural Vitality and Social Justice\, Documenting Place: Real and Imagined\, Escaping the Unitary Linear\, Icons and Symbols\, Innovations\, Looking at the Portrait\, The Sages\, Tribulations and Endings\, and Visualizing Texts. \nOrganized by Ferris Olin\, Distinguished Professor Emerita\, Rutgers University
URL:https://thefeministartproject.org/event/the-brodsky-center-at-rutgers-university-three-decades-1986-2017/
LOCATION:Zimmerli Art Museum\, 71 Hamilton St\, Rutgers\, NJ\, 08901
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2023/11/fall-exhibitions-Rutgers.jpg
END:VEVENT
END:VCALENDAR