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X-WR-CALDESC:Events for The Feminist Art Project
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240201T000000
DTEND;TZID=America/New_York:20241214T235900
DTSTAMP:20260425T142829
CREATED:20240314T192214Z
LAST-MODIFIED:20241019T133125Z
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SUMMARY:Kinship: The Art of Connection
DESCRIPTION:Women Eco Artists Dialog (WEAD) online magazine  Issue No.14 – Kinship: The Art of Connection\nEdited by Connie Tell and Donna Brookman \n Inter-Connection/ Sustenance & Healing  Cecilia Vicuña\n Community and Kin Builders  Christine and Margaret Wertheim\n Collective Memory and Displacement  Nazanin Noroozi\n Cross-Cultural Kinship  Rina Banerjee\n Spiritual Connectivity  Chiyomi Taneike Longo\nKinship: Guest Editors  Connie Tell and Donna Brookman \nWEAD Mission Statement:\nFocusing on women’s unique perspectives we collaborate internationally to further the field and understanding of ecological and social justice art. \n\nPurpose: To provide information regarding the ecoart and social justice art fields to artists\, curators\, writers\, art and public art administrators\, educators in art and ecology\, cross-disciplinary professionals and others.To facilitate international networking among artists working with ecological and social justice issues.To further the fields of\, and the understanding of environmental and social justice art.
URL:https://thefeministartproject.org/event/kinship-the-art-of-connection/
LOCATION:DC
CATEGORIES:Publication
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/03/WEAD-MAG-Cover-Collage-final-copy-e1711113193436.jpeg
ORGANIZER;CN="Women Eco Artists Dialog":MAILTO:info@weadartists.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Costa_Rica:20240308T090000
DTEND;TZID=America/Costa_Rica:20240616T210000
DTSTAMP:20260425T142829
CREATED:20240418T130213Z
LAST-MODIFIED:20240508T184647Z
UID:10000013-1709888400-1718571600@thefeministartproject.org
SUMMARY:STRETCHING TIME\, AND YOU CAN'T CALL ME OLD LADY!
DESCRIPTION:This is a project that has been developing since 2018 in México\,where it has been shown in different museums around the country\, to think and create around the feelings\, emotions\, fears and joys of getting old. To make art focusing on Age is always challenging and empowering not only the ones who are ageing but the young.  This year the exhibition is hosted by the Centro Cultural de España en Costa Rica and features local artists as well as some well known\, as Martha Wilson or the Brit Sue Williams.\nThe opening was on March 8\, turning into a huge celebration with performance\, music\, poetry and yes\, art.
URL:https://thefeministartproject.org/event/stretching-time-and-you-cant-call-me-old-lady/
LOCATION:Centro Cultural de España en Costa Rica\, De la Iglesia Santa Teresita 200 metros al este y 200 metros al norte. Frente a la Rotonda del Farolito. Barrio Escalante\, San José\, San José\, 10101\, Costa Rica
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/04/whatsapp-image-2024-02-19-at-10.40.34-am-e1713445619224.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240318T080000
DTEND;TZID=America/New_York:20240513T235900
DTSTAMP:20260425T142829
CREATED:20240405T124631Z
LAST-MODIFIED:20240405T125325Z
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SUMMARY:Open Call: Vote for Democracy
DESCRIPTION:SaveArtSpace has partnered with Michele Pred to bring more public art to Milwaukee\, WI during the Republican National Convention\, starting June 24\, 2024. \nCurated by Michele Pred\, this billboard art exhibition featuring five billboards in Milwaukee\, Wisconsin\, coinciding with the Republican National Convention\, which is scheduled for July 15th to 18th. The billboards will be installed prior to the convention on June 24th and remain until July 22nd\, a few days after its close. \nThe overarching theme of the exhibit is the “preservation of democracy.” Autocracy and the reactionary\, racist ideas that go with it are on the march in the US and across the globe. They are given voice almost daily by the leader of the Republican Party and his minions\, even as the majority of Americans oppose their policies. To stop this surge of fear and hate\, we must make sure that our system does not devolve further. Only then can we continue the fight for an expanded democracy. Inviting persuadable voters to this conversation on one of the largest media stages of the year is a huge opportunity to do just that. \nThe selection process will focus not only on the artistic merits of the work but also on the clarity of the message and its potential to influence moderately conservative voters to support candidates and issues that expand reproductive rights. To this end\, incorporating text is encouraged but not required. \nWe invite artists of all ages and talents to submit their artwork between March 18 and May 13\, 2024. This is an opportunity to have your work placed on billboard ad space in Milwaukee\, WI. Three artists will be chosen from the open call\, they will join Michele Pred\, and Lena Wolff on billboards throughout Milwaukee\, WI. \nOpen call for art ends May 13\, 2024. There is a $10 donation per image submission to participate\, each donation is tax deductible and goes to producing the public art. Selected artists will be announced after May 27\, 2024. Public art will be installed June 24\, 2024 in New York City.
URL:https://thefeministartproject.org/event/open-call-vote-for-democracy/
LOCATION:Milwaukee\, Wisconsin
CATEGORIES:Open Call/Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/04/VoteforDemocracycallforartists-web-e1712321461692.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240328T180000
DTEND;TZID=America/New_York:20240504T180000
DTSTAMP:20260425T142829
CREATED:20240320T174821Z
LAST-MODIFIED:20240322T133232Z
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SUMMARY:The State We’re In
DESCRIPTION:Solo exhibition at Kathryn Markel Fine Arts: \nNancy Cohen’s unconventional drawings\, drawn with paper pulp and fritted glass\, find their origin in her move to Jersey City in the 1980s. Along the shore and waterways\, the evergreen vegetation thriving amid industrial waste sparked Cohen’s environmental awareness. Waterways\, as subject and imagery\, draw from personal experience and recur in her work as symbols of nature’s ability to endure adversity. In “The State We’re In\,” Cohen pursues the theme of survival\, environmentally and personally. Cohen describes her process as “thinking with her hands.” Concerns outside the studio and challenges within are explored through physically pushing the boundaries of paper and glass. The materials serve as collaborators and provocateurs\, where fused glass objects or a handmade paper are repurposed as source material and inspiration for later works. Cohen’s choices of materials and processes challenge notions of fragility and resilience. Like fritted glass undergoing transformation in a kiln\, Cohen’s work focuses on strength and beauty in the struggle for survival. \nImage: Nancy Cohen\, Breathing Under Water\, 2023 (detail)
URL:https://thefeministartproject.org/event/the-state-were-in/
LOCATION:DC
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/03/Nancy-Cohen-Evite-scaled-e1711114295170.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240405T080000
DTEND;TZID=America/New_York:20241130T170000
DTSTAMP:20260425T142829
CREATED:20240405T133945Z
LAST-MODIFIED:20241019T132947Z
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SUMMARY:The 6000 Circles Project
DESCRIPTION:We are The Calling. Our latest collaboration\, The 6000 Circles Project\, focuses on the circle as a symbol of balance and unity\, a never ending container of feminine energy and light. We are envisioning 6000 circles; created by a multitude of artists\, of all genders\, from around the globe\, both groups and individuals\, gathering and making for a series of interactive public and digital installations.\nThe initial inspiration came from the Obliteration Room created by Yayoi Kusama\, where people were invited to place circle stickers spontaneously throughout the exhibition space\, thereby creating an interactive and evolving installation. We would like to build upon this concept based on The Calling’s previous interactive installation as part of the Feminine Journey exhibition at the Beseder Gallery in Prague 2022. The intention is to expand its scope and reach to be a fully inclusive collaboration that honors all aspects of the feminine.
URL:https://thefeministartproject.org/event/the-6000-circles-project/
LOCATION:DC
CATEGORIES:Open Call/Exhibitions
ATTACH;FMTTYPE=image/png:https://thefeministartproject.org/wp-content/uploads/2024/04/6000-circles-project-logo-e1729344476864.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240420T100000
DTEND;TZID=America/New_York:20240512T210000
DTSTAMP:20260425T142829
CREATED:20240502T154054Z
LAST-MODIFIED:20240502T154458Z
UID:10000014-1713607200-1715547600@thefeministartproject.org
SUMMARY:CONNECT
DESCRIPTION:Initially inspired by the online connections formed during the pandemic lockdown\, Stephanie Camille’s art delves into the intersections of digital and physical existence. Rooted in the introspections from her journal during the initial lonely months\, she explores those realities through metaphorical ‘windows’ using recognizable digital interfaces. Blending traditional mediums like oil and gouache\, Connect is a journey of self-discovery\, unraveling the complexities of isolation\, loneliness\, and routine. On one end\, screens trap us\, but on the other end\, we can fall in love with our only connection to the people we yearn to be physically near. \nPresented by Studio 180 Theatre and the Feminist Art Collective. Stephanie Camille is an artist currently residing in the GTA and is currently finishing up her MFA at OCAD University. Oil paint\, being Stephanie’s preferred medium\, has a ‘timeless\,’ adaptable-yet-ridged\, and romantic quality that Stephanie loves juxtaposing with her modern\, vibrant aesthetic. She has previously experimented with digital collage and interventions during the pandemic when everything was online-focused. Inspired by bright\, saturated colours\, Stephanie paints technicolour portraits that connect to her current topic of focus for her thesis: hyperfemininity and girly-girl aesthetics. Learn more about Stephanie’s work here. \nPresented in conjunction the Canadian Premiere of FOUR MINUTES TWELVE SECONDS by James Fritz and directed by Mark McGrinder.
URL:https://thefeministartproject.org/event/connect/
LOCATION:Studio 180 Theatre\, 19 Madison Ave\, Third Floor\, Toronto\, ON\, Canada
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240508T090000
DTEND;TZID=America/New_York:20241208T170000
DTSTAMP:20260425T142829
CREATED:20240508T184128Z
LAST-MODIFIED:20241019T133216Z
UID:10000380-1715158800-1733677200@thefeministartproject.org
SUMMARY:Rejoinder Issue 9: The Archival is Political
DESCRIPTION:The theme of Rejoinder Issue 9 is “The Archival is Political.” Guest edited by Alexandra Southgate (Temple). Contributors include: Joshua G. Adair\, Christoffer Koch Andersen\, Victoria Bailey\, Linda Bond\, Vero Carchedi\, Farrah Cato\, Kim Hoeckele\, Georgia-Taygeti Katakou\, Apala Kundu\, Christina Maraboutaki\, Janée Moses\, Christine Stoddard\, Lisa Lampert-Weissig\, and Cinnamon Williams. Rejoinder is an online journal featuring work at the intersection of scholarship and activism that reflects feminist/queer and social justice perspectives. Rejoinder is currently published once a year\, each spring. Rejoinder is a publication of the Institute for Research on Women (IRW) at Rutgers University in partnership with The Feminist Art Project.
URL:https://thefeministartproject.org/event/rejoinder-issue-9-the-archival-is-political/
LOCATION:Online
CATEGORIES:Publication
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/05/Rejoinder-9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240522T080000
DTEND;TZID=America/New_York:20240731T235900
DTSTAMP:20260425T142829
CREATED:20240523T192455Z
LAST-MODIFIED:20240531T164402Z
UID:10000381-1716364800-1722470340@thefeministartproject.org
SUMMARY:TFAP@CAA 2025 | DOP Call for Proposals
DESCRIPTION:TFAP@CAA DAY OF PANELS 2025 | CALL FOR PROPOSALS\nDEADLINE: July 31\, 2024\nSend proposals to: tfap@nationalwca.org  \nThe CAA Annual Conference is the largest convening of art historians\, artists\, designers\, curators\, and visual arts professionals. Each year CAA offer sessions submitted by members\, committees\, and affiliated societies that deliver a wide range of program content. The CAA 113th Annual Conference will take place at the New York Hilton Midtown\, New York City\, February 12–15\, 2025.\nSince 2007\, the TFAP@CAA Day of Panels has brought together exceptional groups of artists\, art historians\, curators\, and critics for a free and open to the public symposium during the annual College Art Association (CAA) Conferences. The general public\, emerging and seasoned art professionals gain access to cutting edge work and ideas of artists\, curators\, performers and scholars\, up close and through a feminist lens.\n________________________________ \nThe Feminist Art Project is now accepting proposals for the 2025 Day of Panels in NYC. The Day of Panels will take place on Saturday\, February 15\, 2025 at the Hilton Midtown\, NYC (in-person).\nTOPIC\nSCIENCE AND ART: AN EXPANSIVE FEMINIST VIEW OF THE BODY\, THE MIND\, AND THE PHYSICAL WORLD\nChair: Anonda Bell (Rutgers\, The State University of New Jersey) \nThis Day of Panels is dedicated to feminist artists utilizing science-based art making techniques\, materials\, and concepts\, to explore ideas about humanity. Sci-artists have explored the physical sciences in topics such as health and disease\, motherhood\, robotics\, technology\, and AI\, as well as the social sciences with psychological topics including the women’s temperament\, and hysteria. Sci-artists have examined how humans exist within the greater environment\, exploring eco-art practices\, and imagining the natural world as a site for both resistance and inspiration. Feminist sci-artists have cross-examined stereotypical ideas about gendered sensibilities of care and nurturing\, whether within the family\, cultural and societal realms\, and the exploration of the body as a representation of humanity and identity\, including the dissection of tropes that accompany it. The connection between art and science is not strictly one of art being subjugated as a tool to merely illustrate scientific concepts (didactic representation of data). In this important Day of Panels\, artists will demonstrate how art may be used to visualize the unseen\, wrangle with the philosophy of science\, and how art may be used to explore and communicate transcendent ideas which may defy more conventional forms of articulation. \nThe Feminist Art Project seeks proposals for presentations that investigate these topics. Please include images that may be considered with your paper.\n*Participants should be available to attend the CAA conference in-person NYC in February.* \nPlease submit the following to tfap@nationalwca.org by July 31\, 2024:\n1. A clearly worded abstract no longer than 250 words. Please include your full name\, all contact information (phone\, email\, address\, etc)\, and affiliation. Subject line: “DOP Proposal – ____(last name)\n2. Image examples to accompany your proposal (3-5)\n3. Resume or cv
URL:https://thefeministartproject.org/event/tfapcaa-2025-call-for-proposals/
LOCATION:DC
CATEGORIES:Call for Papers/Presentations
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