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X-WR-CALDESC:Events for The Feminist Art Project
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DTSTART;TZID=America/New_York:20240328T180000
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DTSTAMP:20260525T031017
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UID:10000004-1711648800-1714845600@thefeministartproject.org
SUMMARY:The State We’re In
DESCRIPTION:Solo exhibition at Kathryn Markel Fine Arts: \nNancy Cohen’s unconventional drawings\, drawn with paper pulp and fritted glass\, find their origin in her move to Jersey City in the 1980s. Along the shore and waterways\, the evergreen vegetation thriving amid industrial waste sparked Cohen’s environmental awareness. Waterways\, as subject and imagery\, draw from personal experience and recur in her work as symbols of nature’s ability to endure adversity. In “The State We’re In\,” Cohen pursues the theme of survival\, environmentally and personally. Cohen describes her process as “thinking with her hands.” Concerns outside the studio and challenges within are explored through physically pushing the boundaries of paper and glass. The materials serve as collaborators and provocateurs\, where fused glass objects or a handmade paper are repurposed as source material and inspiration for later works. Cohen’s choices of materials and processes challenge notions of fragility and resilience. Like fritted glass undergoing transformation in a kiln\, Cohen’s work focuses on strength and beauty in the struggle for survival. \nImage: Nancy Cohen\, Breathing Under Water\, 2023 (detail)
URL:https://thefeministartproject.org/event/the-state-were-in/
LOCATION:San José
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/03/Nancy-Cohen-Evite-scaled-e1711114295170.jpg
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DTSTART;TZID=America/Costa_Rica:20240308T090000
DTEND;TZID=America/Costa_Rica:20240616T210000
DTSTAMP:20260525T031017
CREATED:20240418T130213Z
LAST-MODIFIED:20240508T184647Z
UID:10000013-1709888400-1718571600@thefeministartproject.org
SUMMARY:STRETCHING TIME\, AND YOU CAN'T CALL ME OLD LADY!
DESCRIPTION:This is a project that has been developing since 2018 in México\,where it has been shown in different museums around the country\, to think and create around the feelings\, emotions\, fears and joys of getting old. To make art focusing on Age is always challenging and empowering not only the ones who are ageing but the young.  This year the exhibition is hosted by the Centro Cultural de España en Costa Rica and features local artists as well as some well known\, as Martha Wilson or the Brit Sue Williams.\nThe opening was on March 8\, turning into a huge celebration with performance\, music\, poetry and yes\, art.
URL:https://thefeministartproject.org/event/stretching-time-and-you-cant-call-me-old-lady/
LOCATION:Centro Cultural de España en Costa Rica\, De la Iglesia Santa Teresita 200 metros al este y 200 metros al norte. Frente a la Rotonda del Farolito. Barrio Escalante\, San José\, San José\, 10101\, Costa Rica
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2024/04/whatsapp-image-2024-02-19-at-10.40.34-am-e1713445619224.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230913T170000
DTEND;TZID=America/New_York:20231222T170000
DTSTAMP:20260525T031017
CREATED:20231127T220557Z
LAST-MODIFIED:20240321T212522Z
UID:10000001-1694624400-1703264400@thefeministartproject.org
SUMMARY:The Brodsky Center at Rutgers University: Three Decades\, 1986–2017
DESCRIPTION:Rutgers Distinguished Professor Emerita Judith K. Brodsky\, a visionary artist and advocate\, arts administrator and entrepreneur\, printmaker\, and scholar\, recognized that women and gender nonconforming artists\, as well as artists of color\, were excluded from the art world in the 1980s. Brodsky’s pioneering vision set out to rectify the situation by establishing in 1986 a print- and papermaking residency center for these artists\, now known as the Brodsky Center. From its inception\, the Center strategically placed itself at the vanguard of art making\, not only with print and papermaking techniques but also with the innovation of new ideas and narratives as a model for institutional and artworld diversity\, equity\, and inclusion. \nThe Brodsky Center\, with state-of-the-art facilities\, was the site of experiments with concepts that emerged in the 21st century as dominant concerns of artists in the contemporary art world: race and ethnic identity\, nonconforming gender issues\, climate and the environment\, the politics of language\, and immigration. The Center encouraged artists to explore how working in what were often for them the new processes of print and paper could expand their previous realms of thought. While at Rutgers University\, the Brodsky Center served as a catalyst for cultural transformation in New Jersey\, in the United States\, and worldwide. It continues to do so at its present location in Philadelphia\, the Pennsylvania Academy of the Fine Arts. \nThe artworks on view in this exhibition are illustrative of new imagery and artistic languages now incorporated into contemporary art making in the 21st century. The exhibition is thematically conceived\, exemplifying the Brodsky Center’s mission to insert new narratives into the American cultural mainstream. Five representative artworks\, as emblems that capture the essence of the Brodsky Center\, have been singled out for placement at the entrance to the exhibition. The works on view are then organized into nine other sections: Cultural Vitality and Social Justice\, Documenting Place: Real and Imagined\, Escaping the Unitary Linear\, Icons and Symbols\, Innovations\, Looking at the Portrait\, The Sages\, Tribulations and Endings\, and Visualizing Texts. \nOrganized by Ferris Olin\, Distinguished Professor Emerita\, Rutgers University
URL:https://thefeministartproject.org/event/the-brodsky-center-at-rutgers-university-three-decades-1986-2017/
LOCATION:Zimmerli Art Museum\, 71 Hamilton St\, Rutgers\, NJ\, 08901
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2023/11/fall-exhibitions-Rutgers.jpg
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