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DTSTAMP:20260418T114055
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SUMMARY:Rejoinder Issue 10: Dissenting Feminisms
DESCRIPTION:We are pleased to announce that the Spring 2025 issue of Rejoinder is now available. The theme of this issue is “Dissenting Feminisms.”  Contributors include: Tina Escaja\, Vuyokazi Ngemntu\, Ildikó Kalapács\, Destiny Crockett\, Catherine A. Evans\, Jessie B. Ramey\, Mahdiyeh Govah\, Judy Rohrer\, Jaime Cantrell\, Avik Sarkar\, Sheila Shankar\, Soo Young Lee\, and Alexis Krasilovsky.  \n\n\nRejoinder is an online journal published by the Institute for Research on Women (IRW) at Rutgers in partnership with The Feminist Art Project. \n\n\nThe issue is available at: https://irw.rutgers.edu/rejoinder. \nImage:\nIldikó Kalapács\, Dueling Women\nAcrylic\, mixed media\nCourtesy of the artist.
URL:https://thefeministartproject.org/event/rejoinder-issue-10-dissenting-feminisms/
LOCATION:Online
CATEGORIES:Publication
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DTSTART;TZID=America/New_York:20251119T080000
DTEND;TZID=America/New_York:20261101T170000
DTSTAMP:20260418T114055
CREATED:20251122T152116Z
LAST-MODIFIED:20251122T152116Z
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SUMMARY:2025 Anonymous Was A Woman Awards
DESCRIPTION:Anonymous Was A Woman awards $750\,000 to 15 women artists over the age of 40\, who each receive $50\,000 in recognition of their work\nThe 2025 award follows AWAW’s landmark survey and symposium addressing the lives and careers of women artists \nNovember 19\, 2025—Anonymous Was A Woman (AWAW) today announced the recipients of its 2025 awards\, recognizing 15 artists over the age of 40 who have made significant contributions while continuing to create new work. Each recipient receives an unrestricted award of $50\,000. Founded in 1996 by artist Susan Unterberg\, Anonymous Was A Woman supports woman-identifying artists at critical points in their lives and careers. The organization has awarded more than $8 million to over 300 artists since its inception. This year’s recipients range in age from 41 to 83\, and include artists working in a variety of mediums across the U.S. Earlier this year\, AWAW released the results of the Anonymous Was A Woman Artist Survey—a landmark study conducted in partnership with journalists Charlotte Burns and Julia Halperin and SMU DataArts—which synthesized responses from over 1200 artists to provide a nuanced portrait of the challenges and successes of women artists today. The findings were presented at Artists Speak: The Anonymous Was A Woman Symposium\, a convening at New York University in April 2025 that brought together artists\, curators\, and advocates to discuss systemic inequities and strategies for change. “This year marks a moment of both reflection and action\,” said Susan Unterberg\, founder of AWAW. “The insights from our inaugural survey and symposium have deepened our understanding of what women artists need to thrive\, and reaffirmed the urgency of continuing to provide direct\, unrestricted support. At a moment when the arts and the rights of women are under threat\, I’m honored to recognize this year’s extraordinary group of artists—each of whom expands the field in profound and original ways. I started Anonymous Was A Woman partially in response to the end of federal funding to individual artists. Nearly thirty years later\, that same need motivates us to continue our work of uplifting women artists in mid-career.” \nThe 2025 Anonymous Was A Woman Award recipients are: \nCandida Alvarez\nAmbreen Butt\nJoAnne Carson\nCecelia Condit\nLola Flash\nSonya Kelliher-Combs\nMichelle Marcuse\nPark McArthur\nNicole Miller\nNarcissister\nDhara Rivera\nLinda Stark\nKunié Sugiura\nHong-Ân Trương\nPaula Wilson
URL:https://thefeministartproject.org/event/2025-anonymous-was-a-woman-awards/
LOCATION:IL
CATEGORIES:Award
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260405
DTSTAMP:20260418T114055
CREATED:20260119T131327Z
LAST-MODIFIED:20260119T131633Z
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SUMMARY:Bailey Doogan: Ways of Seeing
DESCRIPTION:The University of Arizona Museum of Art presents “Bailey Doogan: Ways of Seeing\,” the first comprehensive survey to showcase selections from every phase of the late artist’s prolific career. A celebrated painter\, graphic designer\, and Professor Emerita\, Bailey Doogan (1941–2022) was a pivotal figure in the feminist art movement\, using her work to interrogate traditional conventions of female beauty and the politics of the aging body.\nThis exhibition features 80 works that span Doogan’s evolution from surrealist experimentation to her monumental\, unflinching figurative paintings. Central to her practice was the belief that “our bodies are diaries of our experience”. By centering wrinkles\, scars\, and the physical realities of the female form—subjects historically marginalized in Western art—Doogan’s work opens vital conversations about representation\, self-examination\, and the power of the female gaze.\n\nFeatured Feminist Programming\n\nExhibition Reception: Thursday\, January 22\, 2026 | 5:00 PM – 7:00 PM\nPanel Discussion: Friday\, January 23\, 2026 | 4:30 PM – 5:30 PM. Featuring Terry Etherton\, Doug Nielsen\, Cynthia Miller\, and Ann Simmons-Myers; moderated by curator Violet Rose Arma.\nVirtual Talk: “Horror and Humor: Bailey Doogan and the Feminist Revolution”Thursday\, February 5\, 2026 | 5:00 PM – 6:00 PM. Art critic Eleanor Heartney examines how 1980s feminist thinking shaped Doogan’s strikingly original outlook on gender\, power\, and the body.\n\nCurators: Violet Rose Arma and Olivia Miller\, in close consultation with Moira Doogan.
URL:https://thefeministartproject.org/event/bailey-doogan-ways-of-seeing/
LOCATION:University of Arizona Museum of Art\, 1031 North Olive Road\, Tuscon\, AZ\, 85719\, United States
CATEGORIES:Exhibition
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