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UID:10000809-1746432000-1778000400@thefeministartproject.org
SUMMARY:Rejoinder Issue 10: Dissenting Feminisms
DESCRIPTION:We are pleased to announce that the Spring 2025 issue of Rejoinder is now available. The theme of this issue is “Dissenting Feminisms.”  Contributors include: Tina Escaja\, Vuyokazi Ngemntu\, Ildikó Kalapács\, Destiny Crockett\, Catherine A. Evans\, Jessie B. Ramey\, Mahdiyeh Govah\, Judy Rohrer\, Jaime Cantrell\, Avik Sarkar\, Sheila Shankar\, Soo Young Lee\, and Alexis Krasilovsky.  \n\n\nRejoinder is an online journal published by the Institute for Research on Women (IRW) at Rutgers in partnership with The Feminist Art Project. \n\n\nThe issue is available at: https://irw.rutgers.edu/rejoinder. \nImage:\nIldikó Kalapács\, Dueling Women\nAcrylic\, mixed media\nCourtesy of the artist.
URL:https://thefeministartproject.org/event/rejoinder-issue-10-dissenting-feminisms/
LOCATION:Online
CATEGORIES:Publication
ATTACH;FMTTYPE=image/png:https://thefeministartproject.org/wp-content/uploads/2025/05/Dueling_Women.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251118T080000
DTEND;TZID=America/New_York:20260216T170000
DTSTAMP:20260419T001618
CREATED:20251115T163438Z
LAST-MODIFIED:20251115T163438Z
UID:10000815-1763452800-1771261200@thefeministartproject.org
SUMMARY:Diasporic Worldings: Gabriela Aceves Sepúlveda
DESCRIPTION:Diasporic Worldings is an experimental video by Gabriela Aceves Sepúlveda that explores the experiences of people in the diaspora as they form and imagine relationships with land\, place\, territories\, and ecosystems. It uses the term “diasporic” as an adjective to describe those who belong to a diaspora due to either forced or voluntary migration and “worlding” as a creative process where “worlds” develop through ongoing engagement and interconnections with humans and more-than-humans. Inspired by Martinican philosopher Édouard Glissant’s distinction between archipelagic thinking as fragmentary and intuitive and continental thinking as all-encompassing and systematic\, and Mexican writer Cristina Rivera Garza’s use of frottage drawing as a mnemonic technique to recover an embodied connection to place\, the video features actions performed on camera and images involving different approaches to map-making.
URL:https://thefeministartproject.org/event/diasporic-worldings-gabriela-aceves-sepulveda/
LOCATION:Urban Screen at Libby Lesghold Gallery\, ECUAD\, 520 East 1st Avenue\, Vancouver\, British Columbia\, V5T 0 H2\, Canada
CATEGORIES:Lecture
ATTACH;FMTTYPE=image/jpeg:https://thefeministartproject.org/wp-content/uploads/2025/11/DW_tierramapa_aceves2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251119T080000
DTEND;TZID=America/New_York:20261101T170000
DTSTAMP:20260419T001618
CREATED:20251122T152116Z
LAST-MODIFIED:20251122T152116Z
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SUMMARY:2025 Anonymous Was A Woman Awards
DESCRIPTION:Anonymous Was A Woman awards $750\,000 to 15 women artists over the age of 40\, who each receive $50\,000 in recognition of their work\nThe 2025 award follows AWAW’s landmark survey and symposium addressing the lives and careers of women artists \nNovember 19\, 2025—Anonymous Was A Woman (AWAW) today announced the recipients of its 2025 awards\, recognizing 15 artists over the age of 40 who have made significant contributions while continuing to create new work. Each recipient receives an unrestricted award of $50\,000. Founded in 1996 by artist Susan Unterberg\, Anonymous Was A Woman supports woman-identifying artists at critical points in their lives and careers. The organization has awarded more than $8 million to over 300 artists since its inception. This year’s recipients range in age from 41 to 83\, and include artists working in a variety of mediums across the U.S. Earlier this year\, AWAW released the results of the Anonymous Was A Woman Artist Survey—a landmark study conducted in partnership with journalists Charlotte Burns and Julia Halperin and SMU DataArts—which synthesized responses from over 1200 artists to provide a nuanced portrait of the challenges and successes of women artists today. The findings were presented at Artists Speak: The Anonymous Was A Woman Symposium\, a convening at New York University in April 2025 that brought together artists\, curators\, and advocates to discuss systemic inequities and strategies for change. “This year marks a moment of both reflection and action\,” said Susan Unterberg\, founder of AWAW. “The insights from our inaugural survey and symposium have deepened our understanding of what women artists need to thrive\, and reaffirmed the urgency of continuing to provide direct\, unrestricted support. At a moment when the arts and the rights of women are under threat\, I’m honored to recognize this year’s extraordinary group of artists—each of whom expands the field in profound and original ways. I started Anonymous Was A Woman partially in response to the end of federal funding to individual artists. Nearly thirty years later\, that same need motivates us to continue our work of uplifting women artists in mid-career.” \nThe 2025 Anonymous Was A Woman Award recipients are: \nCandida Alvarez\nAmbreen Butt\nJoAnne Carson\nCecelia Condit\nLola Flash\nSonya Kelliher-Combs\nMichelle Marcuse\nPark McArthur\nNicole Miller\nNarcissister\nDhara Rivera\nLinda Stark\nKunié Sugiura\nHong-Ân Trương\nPaula Wilson
URL:https://thefeministartproject.org/event/2025-anonymous-was-a-woman-awards/
LOCATION:IL
CATEGORIES:Award
ATTACH;FMTTYPE=image/png:https://thefeministartproject.org/wp-content/uploads/2025/11/Screenshot-2025-11-22-at-10-14-07-Instagram.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251126T000000
DTEND;TZID=America/New_York:20260115T000000
DTSTAMP:20260419T001618
CREATED:20251202T215457Z
LAST-MODIFIED:20251202T215457Z
UID:10000822-1764115200-1768435200@thefeministartproject.org
SUMMARY:Rejoinder Open Call
DESCRIPTION:Rejoinder Open Call: Issue 11\nDEADLINE: January 15\, 2026 \nRitual\, Healing\, and World-Making \n\nHow do we mark transitions\, generate transformational visions\, and model alternate ways of being in a world imploding around us? How do we find joy while surrounded by brokenness?  How do we heal when systems are structured against us? What rituals or practices can restore us\, even speak to our souls? The next issue of Rejoinder explores the theme of ritual\, healing\, and world-making. Submissions (including essays\, commentary\, criticism\, fiction\, poetry\, and artwork) should address this theme from feminist\, queer\, and social justice-inspired perspectives. We particularly welcome contributions at the intersection of scholarship and activism. For manuscript preparation details\, please see our website at: http://irw.rutgers.edu/about-rejoinder. Rejoinder is published by the Institute for Research on Women at Rutgers University in partnership with the Feminist Art Project. Please send completed written work (2\,000-2\,500 words max — MS Word)\, jpegs of artwork\, and short bios to irw@sas.rutgers.edu with “Rejoinder Submission” in the subject line by January 15\, 2026.
URL:https://thefeministartproject.org/event/rejoinder-open-call-2/
LOCATION:IL
CATEGORIES:Call for Papers/Presentations,Open Call/Exhibitions
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ORGANIZER;CN="Institute for Research on Women at Rutgers University":MAILTO:irw@sas.rutgers.edu
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